{"id":32318,"date":"2024-11-25T22:19:00","date_gmt":"2024-11-25T21:19:00","guid":{"rendered":"https:\/\/robinmeier.net\/?p=32318"},"modified":"2026-04-07T15:12:25","modified_gmt":"2026-04-07T14:12:25","slug":"the-call-with-holly-herndon-and-mat-dryhurst","status":"publish","type":"post","link":"https:\/\/robinmeier.net\/?p=32318","title":{"rendered":"The Call with Holly Herndon and Mat Dryhurst"},"content":{"rendered":"\n
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Infos<\/h2>\n
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2024<\/p>\n <\/div>\n

Serpentine Galleries<\/a><\/p><\/div>\n <\/div>\n <\/section>\n \n\n\n

A collaboration between artists Holly Herndon and Mat Dryhurst, and Serpentine Arts Technologies, The Call proposes new cultural, legal, and technical rituals for art in the age of AI.<\/p>\n\n\n\n

\u201cIf all media is training data, including art, let\u2019s turn the production of training data into art instead.\u201d<\/p>\n\n\n\n

The Call<\/em> centres on developing new protocols and materials for the creation of choral AI models. To train the AI, Herndon and Dryhurst have composed a songbook of hymnals, singing exercises and a recording protocol, travelling with the Serpentine Arts Technologies team to record fifteen community choirs across the UK. The choristers are now part of a Data Trust experiment that allows for the distribution of power between the contributors to the training data and those who use the models.<\/p>\n\n\n\n

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