In 1861, the entomologist Osten-Sacken refers to a Cuban naturalist who once told him that whenever the note ‘A’ was played by a band, the swarm of mosquitoes hovering over his head suddenly flew downward toward his face.
More recently, during their research on mosquitoes and chironomids, scientists Lionel Feugère and Gabriella Gibson also noticed how these insects react to the sound of their voices. A musical relationship unfolds as night falls on the marshes of Northward Hill in northern Kent.
Bibliography: – Osten-Sacken, C. R. (1861), Mückenschwärme und Musik. Ent. Zeitung. Stettin, p. 52. – Maxim, H. S. (1901), The Times, Mosquitoes and musical notes. Letter to the Editor, p. 11, 28 October. – Knab, F. (1906). The Swarming of Culex Pipiens, Psyche 13: 123-133 (PDF) – Feugère, L., Gibson, G., Noûs, C. (2022), ”Comment l’entomologie et la musique peuvent se nourrir l’une de l’autre : le cas de la communication acoustique des moustiques”, dans Lassauzet, B. et Montandon, A. (dir.), Les insectes et la musique, coll. “Gream”, Hermann, Paris, p. 37-57. ISBN 9791037022493 (PDF) – Feugère, L., Simões, P.M.V., Russell, I.J. and Gibson, G. (2022). The role of hearing in mosquito behaviour. Chapter 26. In: Ignell, R., Lazzari, C.R., Lorenzo, M.G. and Hill, S.R. (eds.) Sensory ecology of disease vectors. Wageningen Academic Publishers, Wageningen, the Netherlands, pp. 683-708. (PDF: https://hal.science/hal-04116063/)
Réécriture d’une conversation entre Sophie Schwartz et Robin Meier Wiratunga lors du préambule du festival KorSonoR au Jardin Botanique de la Ville Genève.
Réécriture d’une conversation entre Sophie Schwartz et Robin Meier Wiratunga lors du préambule du festival KorSonoR au Jardin Botanique de la Ville Genève.
Robin Meier Wiratunga, 2025. Mixed media installation: Leporello score and directional sound, text collages, 3 channel video with stereo sound. Produced by NCCR Evolving Language and Universities of Zurich, Geneva and New York. Salle d’Exposition de l’Université de Genève. FR:
Robin Meier Wiratunga, 2025. Mixed media installation: Leporello score and directional sound, text collages, 3 channel video with stereo sound. Produced by NCCR Evolving Language and Universities of Zurich, Geneva and New York. Salle d’Exposition de l’Université de Genève. FR:
Vogelträume hörbar gemacht – zusammen mit Forscherinnen und Forschern hat der Schweizer Komponist Robin Meier Wiratunga die Träume von Zebrafinken dekodiert. SRF Link
Vogelträume hörbar gemacht – zusammen mit Forscherinnen und Forschern hat der Schweizer Komponist Robin Meier Wiratunga die Träume von Zebrafinken dekodiert. SRF Link
Des chercheurs et un artiste sonore ont mené une expérience inédite : isoler et reproduire les sons des chants dont rêvent les oiseaux. Le fruit de cette collaboration, une exposition immersive à l’Université de Genève, permet d’entendre ces mélodies oniriques, souvent
Des chercheurs et un artiste sonore ont mené une expérience inédite : isoler et reproduire les sons des chants dont rêvent les oiseaux. Le fruit de cette collaboration, une exposition immersive à l’Université de Genève, permet d’entendre ces mélodies oniriques, souvent
Tonight 9PM-1AM (CST) & again tomorrow 1PM-5PM (CST). https://www.radioisaforeigncountry.org “Waves Beneath an Ocean of Wet Air” is an interactive sound collage that explores the connections between desert and sea. Imagine 7 exotic “radio stations” slowly drifting and crossfading into one
Tonight 9PM-1AM (CST) & again tomorrow 1PM-5PM (CST). https://www.radioisaforeigncountry.org “Waves Beneath an Ocean of Wet Air” is an interactive sound collage that explores the connections between desert and sea. Imagine 7 exotic “radio stations” slowly drifting and crossfading into one
3 minute radio piece on NPR (National Public Radio), the American public broadcasting organization. Visitors can hear Björk’s immersive, otherworldly soundscape, Nature Manifesto, over the next few weeks as they climb the long, glass escalator that hugs the side of Centre Pompidou in
3 minute radio piece on NPR (National Public Radio), the American public broadcasting organization. Visitors can hear Björk’s immersive, otherworldly soundscape, Nature Manifesto, over the next few weeks as they climb the long, glass escalator that hugs the side of Centre Pompidou in
Conceived as a post-optimistic manifesto on nature, this sound piece by Björk and Aleph addresses the unprecedented loss of biodiversity and the collapse of ecosystems. Björk’s voice is accompanied by Robin Meier Wiratunga with the cries of extinct or endangered
Conceived as a post-optimistic manifesto on nature, this sound piece by Björk and Aleph addresses the unprecedented loss of biodiversity and the collapse of ecosystems. Björk’s voice is accompanied by Robin Meier Wiratunga with the cries of extinct or endangered
Generative Composition: Interactive website for The Learning Garden, Courtesy of the Artist, Commissioned by the Diriyah Biennale Foundation for the Diriyah Contemporary Art Biennale 2024. Curated by Rahul Gudipudi / Ute Meta Bauer. https://garden.dcab24.art/en/commission/robin-meier-wiratunga-waves-beneath-an-ocean-of-wet-air Waves beneath an ocean of wet
Generative Composition: Interactive website for The Learning Garden, Courtesy of the Artist, Commissioned by the Diriyah Biennale Foundation for the Diriyah Contemporary Art Biennale 2024. Curated by Rahul Gudipudi / Ute Meta Bauer. https://garden.dcab24.art/en/commission/robin-meier-wiratunga-waves-beneath-an-ocean-of-wet-air Waves beneath an ocean of wet
A neuroscientist, a dancer, a pigeon fancier and a string trio connect neuronal patterns in the brain with patterns in bird flocks, dance, music and language : “neuromancer meets ornithomancer”.
A neuroscientist, a dancer, a pigeon fancier and a string trio connect neuronal patterns in the brain with patterns in bird flocks, dance, music and language : “neuromancer meets ornithomancer”.