artscience

L’ordre des Lucioles at Fondation Ricard

a collection of photos from the Paris version of Synchronicity for the Ricard Art Prize “L’ordre des Lucioles” from Sept 15 – Oct 31 2015 at Fondation Ricard in Paris Le Prix Fondation d’entreprise Ricard 2015 ouvre des champs de recherches qui

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L’ordre des Lucioles at Fondation Ricard

a collection of photos from the Paris version of Synchronicity for the Ricard Art Prize “L’ordre des Lucioles” from Sept 15 – Oct 31 2015 at Fondation Ricard in Paris Le Prix Fondation d’entreprise Ricard 2015 ouvre des champs de recherches qui

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Science Art Residency

happy times with Cyrille Henry, ::vtol:: and the bees in Nikola Lenivets October 2014 – again! Love the bees! Powerwalk!!!

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Science Art Residency

happy times with Cyrille Henry, ::vtol:: and the bees in Nikola Lenivets October 2014 – again! Love the bees! Powerwalk!!!

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Interview on Mayak Moscow

Scientist and journalist Ilya Kolmanovsky (first from right) invited me to his show on Moscow’s official radio station Mayak to talk about science, technology and art. and – uhm – it’s in russian. Наука журналист Илья Колмановский пригласил меня к

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Interview on Mayak Moscow

Scientist and journalist Ilya Kolmanovsky (first from right) invited me to his show on Moscow’s official radio station Mayak to talk about science, technology and art. and – uhm – it’s in russian. Наука журналист Илья Колмановский пригласил меня к

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If Lions could speak – research

Some shots from our encounters with bees and beekeepers in Pittsburgh (USA) during research for “If Lions could speak” our upcoming show at the Domaine de la Garenne Lemot in Clisson, near Nantes (France) – Robin Meier and Ali Momeni

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If Lions could speak – research

Some shots from our encounters with bees and beekeepers in Pittsburgh (USA) during research for “If Lions could speak” our upcoming show at the Domaine de la Garenne Lemot in Clisson, near Nantes (France) – Robin Meier and Ali Momeni

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The Tragedy of the Commons (2011)

Robin Meier and Ali Momeni Palais de Tokyo, from July 7 to September 18 2011 Curated by Marc Bembekof and Marc-Olivier Wahler Supported by Pro Helvetia and LEEC Paris 13 [EN] The Tragedy of the Commons consists of a live experiment in

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The Tragedy of the Commons (2011)

Robin Meier and Ali Momeni Palais de Tokyo, from July 7 to September 18 2011 Curated by Marc Bembekof and Marc-Olivier Wahler Supported by Pro Helvetia and LEEC Paris 13 [EN] The Tragedy of the Commons consists of a live experiment in

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Paris Art Interview

Back in July 2010 the french art magazine Paris-Art published an interview on my works with Ali Momeni for Dynasty at the Musée d’Art Moderne and the Palais de Tokyo. Read it in french, after the jump!

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Paris Art Interview

Back in July 2010 the french art magazine Paris-Art published an interview on my works with Ali Momeni for Dynasty at the Musée d’Art Moderne and the Palais de Tokyo. Read it in french, after the jump!

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Experientiae Electricae Residency in Poitiers

1 week residency with Michael Roy, Natacha Roussel and a bunch of wearable ZigBees from Experientiae Electricae at Espace Mendès France in Poitiers. Great place, great food, great people! sounds and more to come…. Interac wearing est composé de 10 costumes

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Experientiae Electricae Residency in Poitiers

1 week residency with Michael Roy, Natacha Roussel and a bunch of wearable ZigBees from Experientiae Electricae at Espace Mendès France in Poitiers. Great place, great food, great people! sounds and more to come…. Interac wearing est composé de 10 costumes

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The Body is a Vessel (2010)

For Freediver and Computer   Performance duration: 15 minutes Radio transmission of an excerpt of The Body is a Vessel on national radio Deutschlandradio Kultur, Klangkunst (by Marcus Gammel) PDF documentation here Premiered at the SuperCollider Symposium at the kleine

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The Body is a Vessel (2010)

For Freediver and Computer   Performance duration: 15 minutes Radio transmission of an excerpt of The Body is a Vessel on national radio Deutschlandradio Kultur, Klangkunst (by Marcus Gammel) PDF documentation here Premiered at the SuperCollider Symposium at the kleine

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Sounds from Space

Sounds recorded with a VLF-Antenna picking up electro-magnetic activity in earth’s atmosphere and ESA’s CoRoT Satellite. This satellite picks up tiny variations of the light intensity from stars and sends that data to earth. For A Tentative Call to the Other we

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Sounds from Space

Sounds recorded with a VLF-Antenna picking up electro-magnetic activity in earth’s atmosphere and ESA’s CoRoT Satellite. This satellite picks up tiny variations of the light intensity from stars and sends that data to earth. For A Tentative Call to the Other we

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Truce at SIGGRAPH Asia, Yokohama

After four crazy days going back and forth between Yokohama and Tokyo SIGGRAPH Asia came to a successful end. Some japanese bloggers wrote about the event. You can check out a selection of entries here (Kanta Horio) here, and here.

check out the videos of the show after the jump….

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Truce at SIGGRAPH Asia, Yokohama

After four crazy days going back and forth between Yokohama and Tokyo SIGGRAPH Asia came to a successful end. Some japanese bloggers wrote about the event. You can check out a selection of entries here (Kanta Horio) here, and here.

check out the videos of the show after the jump….

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On Analytical vs. Schizophrenic Procedures for Computing Music

I published a paper in the journal Contemporary Music Review (Volume 28, Issue 2) together with Frédéric Voisin on analytical vs. schizophrenic procedures for computing music. Amongst other things, the paper analyzes our work for Last Manoeuvres in the Dark. You

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On Analytical vs. Schizophrenic Procedures for Computing Music

I published a paper in the journal Contemporary Music Review (Volume 28, Issue 2) together with Frédéric Voisin on analytical vs. schizophrenic procedures for computing music. Amongst other things, the paper analyzes our work for Last Manoeuvres in the Dark. You

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Problèmes philosophiques et esthétiques soulevés par les prothèses neurosensorielles

Marcin Sobieszczanski published an article on philosophical and esthetical issues regarding neurophysiological prothesis. The article was published in the canadian review l’Archée. In the second part of his article Sobieszczanski illustrates the ideas of his article with two of my

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Problèmes philosophiques et esthétiques soulevés par les prothèses neurosensorielles

Marcin Sobieszczanski published an article on philosophical and esthetical issues regarding neurophysiological prothesis. The article was published in the canadian review l’Archée. In the second part of his article Sobieszczanski illustrates the ideas of his article with two of my

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Publication dans Archée

Archée, magazine pour le “cyberart et la cyberculture artistique” publie un article tiré de mon présentation au MAMAC de Nice. Fish, installation pour poissons vivants et ordinateur : l’interaction et l’apprentissage entre le vivant et l’artificiel L’artiste Robin Meier présente

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Publication dans Archée

Archée, magazine pour le “cyberart et la cyberculture artistique” publie un article tiré de mon présentation au MAMAC de Nice. Fish, installation pour poissons vivants et ordinateur : l’interaction et l’apprentissage entre le vivant et l’artificiel L’artiste Robin Meier présente

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SIGGRAPH 2009 Yokohama

“Truce – Strategies for Post-Apocalyptic Computation” got accepted for the SIGGRAPH Art Gallery in Yokohama: December 16 – 19. See you in Japan…   Some of the most impressive breakthroughs in art and technology happen by considering the gaps and

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SIGGRAPH 2009 Yokohama

“Truce – Strategies for Post-Apocalyptic Computation” got accepted for the SIGGRAPH Art Gallery in Yokohama: December 16 – 19. See you in Japan…   Some of the most impressive breakthroughs in art and technology happen by considering the gaps and

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Honorary Mention for Truce at Ars Electronica

Truce: Strategies for Post-Apocalyptic Computation just won a honorary mention in the electronic music (!) category at the Ars Electronica Festival in Linz. Now, let’s bring out these cocktails! Experiments in Mosquito / Machine Communication: Truce from khs frst on

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Honorary Mention for Truce at Ars Electronica

Truce: Strategies for Post-Apocalyptic Computation just won a honorary mention in the electronic music (!) category at the Ars Electronica Festival in Linz. Now, let’s bring out these cocktails! Experiments in Mosquito / Machine Communication: Truce from khs frst on

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Prisma Mexico

I had the privilege to present my work and talk about art, biology, science and whatever just came up at the Prisma Forum in Oaxaca and later in Mexico City bringing together 300 artists from 40 countries. It was a

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Prisma Mexico

I had the privilege to present my work and talk about art, biology, science and whatever just came up at the Prisma Forum in Oaxaca and later in Mexico City bringing together 300 artists from 40 countries. It was a

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Truce: Strategies for Post-Apocalyptic Computation (2009)

BBC News Interactive Installation in Collaboration with Ali Momeni Honorary mention at Ars Electronica 2009 Exhibition at SIGGRAPH Art Gallery, Yokohama 2009 Exhibition at Palais de Tokyo, Paris 2010 Exhibition at Musée des Beaux Arts, Nantes 2012 BBC News from

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Truce: Strategies for Post-Apocalyptic Computation (2009)

BBC News Interactive Installation in Collaboration with Ali Momeni Honorary mention at Ars Electronica 2009 Exhibition at SIGGRAPH Art Gallery, Yokohama 2009 Exhibition at Palais de Tokyo, Paris 2010 Exhibition at Musée des Beaux Arts, Nantes 2012 BBC News from

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Presentation of Experiments in Fish / Machine Communication (2007)

A video of a conference I held at the Musée d’Art Moderne et d’Art Contemporain MAMAC in Nice, February 2008: link to video Les compositions et installations de Robin Meier, artiste, sont influencées par son intérêt pour l’intelligence artificielle et

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Presentation of Experiments in Fish / Machine Communication (2007)

A video of a conference I held at the Musée d’Art Moderne et d’Art Contemporain MAMAC in Nice, February 2008: link to video Les compositions et installations de Robin Meier, artiste, sont influencées par son intérêt pour l’intelligence artificielle et

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intro mémoire EHESS: art et science (2007)

Entre le souci de l’explicité dans les sciences et la part inévitablement implicite de la création dans l’art, l’aspect “exotique”, qui apparaît en croisant les deux, devient moteur. L’étrangeté – la science qui à première vue, semble si différente et

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intro mémoire EHESS: art et science (2007)

Entre le souci de l’explicité dans les sciences et la part inévitablement implicite de la création dans l’art, l’aspect “exotique”, qui apparaît en croisant les deux, devient moteur. L’étrangeté – la science qui à première vue, semble si différente et

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