“Gone” at Festival Musica Strasbourg

Sunday Oct 3 @ La Bourse Sacha Lino Lemke Hellerau Lesen for Flute and Electronics performed by Mario Caroli and myself Tuesday Oct 5 @ La Bourse Yann Robin Art of Metal 2 for double bass Clarinet and Electronics performed by Armand

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“Gone” at Festival Musica Strasbourg

Sunday Oct 3 @ La Bourse Sacha Lino Lemke Hellerau Lesen for Flute and Electronics performed by Mario Caroli and myself Tuesday Oct 5 @ La Bourse Yann Robin Art of Metal 2 for double bass Clarinet and Electronics performed by Armand

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The Body is a Vessel (2010)

For Freediver and Computer   Performance duration: 15 minutes Radio transmission of an excerpt of The Body is a Vessel on national radio Deutschlandradio Kultur, Klangkunst (by Marcus Gammel) PDF documentation here Premiered at the SuperCollider Symposium at the kleine

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The Body is a Vessel (2010)

For Freediver and Computer   Performance duration: 15 minutes Radio transmission of an excerpt of The Body is a Vessel on national radio Deutschlandradio Kultur, Klangkunst (by Marcus Gammel) PDF documentation here Premiered at the SuperCollider Symposium at the kleine

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Cordes in Bregenz, Austria

Garth Knox, Annick Pütz, Jérémie Papin and I are going to perform our piece “Cordes” in Austria for the Bregenzer Festspiele on August 14 and 15.

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Cordes in Bregenz, Austria

Garth Knox, Annick Pütz, Jérémie Papin and I are going to perform our piece “Cordes” in Austria for the Bregenzer Festspiele on August 14 and 15.

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DYNASTY on Radio France

French radio show Escale Estivale on France Inter visiting the DYNASTY exhibition at Musée d’Art Moderne de la Ville de Paris (A Tentative Call to the Other) and Palais de Tokyo (Truce).

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DYNASTY on Radio France

French radio show Escale Estivale on France Inter visiting the DYNASTY exhibition at Musée d’Art Moderne de la Ville de Paris (A Tentative Call to the Other) and Palais de Tokyo (Truce).

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Imaginez Maintenant

from July 2 – 4 i’m presenting A Tentative Call to the Other at the Musée d’Art Moderne de la Ville de Paris from 17h-18h for the Imaginez Maintenant Festival

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Imaginez Maintenant

from July 2 – 4 i’m presenting A Tentative Call to the Other at the Musée d’Art Moderne de la Ville de Paris from 17h-18h for the Imaginez Maintenant Festival

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Sounds from Space

Sounds recorded with a VLF-Antenna picking up electro-magnetic activity in earth’s atmosphere and ESA’s CoRoT Satellite. This satellite picks up tiny variations of the light intensity from stars and sends that data to earth. For A Tentative Call to the Other we

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Sounds from Space

Sounds recorded with a VLF-Antenna picking up electro-magnetic activity in earth’s atmosphere and ESA’s CoRoT Satellite. This satellite picks up tiny variations of the light intensity from stars and sends that data to earth. For A Tentative Call to the Other we

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Serenity and Serendipity (Madras-Madrid) (2010)

Architectural sound installation by Robin Meier and Ali Momeni for Auditorio Nacional de Musica, Madrid Produced by Auditorio Nacional de Musica de Madrid for indian music festival (June 15 – June 31 2010) Serenity and Serendipity (Madras-Madrid) by Robin Meier

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Serenity and Serendipity (Madras-Madrid) (2010)

Architectural sound installation by Robin Meier and Ali Momeni for Auditorio Nacional de Musica, Madrid Produced by Auditorio Nacional de Musica de Madrid for indian music festival (June 15 – June 31 2010) Serenity and Serendipity (Madras-Madrid) by Robin Meier

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Truce at Palais de Tokyo

for DYNASTY at Palais de Tokyo from June 10 to September 5 2010 see Truce for documentation.

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Truce at Palais de Tokyo

for DYNASTY at Palais de Tokyo from June 10 to September 5 2010 see Truce for documentation.

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A Tentative Call to the Other (2010)

Architectural Sound installation with Ali Momeni for DYNASTY (June 10-September 5, 2010) commissioned by Musée d’Art Moderne de la Ville de Paris with support from the Council for Artistic Creation and the City of Paris. PDF documentation here A Tentative Call to the

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A Tentative Call to the Other (2010)

Architectural Sound installation with Ali Momeni for DYNASTY (June 10-September 5, 2010) commissioned by Musée d’Art Moderne de la Ville de Paris with support from the Council for Artistic Creation and the City of Paris. PDF documentation here A Tentative Call to the

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“For Alan Turing” in Zagreb

Trajal Harrell’s dance piece “20 Looks or Paris is Burning at the Judson Church (s)” was performed in Zagreb at the Dance Week Festival. During his performance Trajal uses my composition “For Alan Turing”

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“For Alan Turing” in Zagreb

Trajal Harrell’s dance piece “20 Looks or Paris is Burning at the Judson Church (s)” was performed in Zagreb at the Dance Week Festival. During his performance Trajal uses my composition “For Alan Turing”

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Cordes (2010)

Premiere of Cordes by Garth Knox at the Philharmonie Luxembourg. Co-Production of Philharmonie Luxembourg and Muse en Circuit. Philharmonie Luxembourg: May 16th 2010 / Centre Culturel du Kremlin Bicêtre, Paris: May 25th 2010 Explorateur d’un nouveau genre, le quatuor d’artistes

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Cordes (2010)

Premiere of Cordes by Garth Knox at the Philharmonie Luxembourg. Co-Production of Philharmonie Luxembourg and Muse en Circuit. Philharmonie Luxembourg: May 16th 2010 / Centre Culturel du Kremlin Bicêtre, Paris: May 25th 2010 Explorateur d’un nouveau genre, le quatuor d’artistes

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“Saori”, José-Manuel Lopez Lopez and 2e2m

I created the electronics for José-Manuel’s composition Saori premiered by Ensemble 2e2m at the Paris Conservatory on Mai 6th 2010. This “Commande d’Etat” was produced by la Muse en Circuit.

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“Saori”, José-Manuel Lopez Lopez and 2e2m

I created the electronics for José-Manuel’s composition Saori premiered by Ensemble 2e2m at the Paris Conservatory on Mai 6th 2010. This “Commande d’Etat” was produced by la Muse en Circuit.

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Robert and Maria

recording Robert Steijn and Maria Hassabi for their show in NYC at the Danspace Project at St-Marks Church in-the-Bowery.

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Robert and Maria

recording Robert Steijn and Maria Hassabi for their show in NYC at the Danspace Project at St-Marks Church in-the-Bowery.

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Concert Brest

Concert with Ensemble Sillages at Passerelle in Brest, France. Anette Mengel: Ezan – Ländler (Cor et Electronique) Luis Naon: Senderos (Saxophone et Electronique) Gérard Grisey: Prologue (Alto et Electronique) Martin Matalon: Traces III (Cor et Electronique)

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Concert Brest

Concert with Ensemble Sillages at Passerelle in Brest, France. Anette Mengel: Ezan – Ländler (Cor et Electronique) Luis Naon: Senderos (Saxophone et Electronique) Gérard Grisey: Prologue (Alto et Electronique) Martin Matalon: Traces III (Cor et Electronique)

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Paris is Burning

Trajal Harrell’s dance piece “20 Looks or Paris is Burning at the Judson Church (s)” was performed in Paris at the Artdenthé festival tonight. During his performance Trajal uses my composition “For Alan Turing”

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Paris is Burning

Trajal Harrell’s dance piece “20 Looks or Paris is Burning at the Judson Church (s)” was performed in Paris at the Artdenthé festival tonight. During his performance Trajal uses my composition “For Alan Turing”

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Prototype “Madras Madrid”

Minneapolis, March 2010 Prototype of a 4×4 speaker grid controlled by Ableton Live via Teensy++ and 16 relais. The distance between the speakers will be big enough for people to walk through. Speakers are hanging from ceiling. Each speaker can

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Prototype “Madras Madrid”

Minneapolis, March 2010 Prototype of a 4×4 speaker grid controlled by Ableton Live via Teensy++ and 16 relais. The distance between the speakers will be big enough for people to walk through. Speakers are hanging from ceiling. Each speaker can

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Truce at SIGGRAPH Asia, Yokohama

After four crazy days going back and forth between Yokohama and Tokyo SIGGRAPH Asia came to a successful end. Some japanese bloggers wrote about the event. You can check out a selection of entries here (Kanta Horio) here, and here.

check out the videos of the show after the jump….

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Truce at SIGGRAPH Asia, Yokohama

After four crazy days going back and forth between Yokohama and Tokyo SIGGRAPH Asia came to a successful end. Some japanese bloggers wrote about the event. You can check out a selection of entries here (Kanta Horio) here, and here.

check out the videos of the show after the jump….

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On Analytical vs. Schizophrenic Procedures for Computing Music

I published a paper in the journal Contemporary Music Review (Volume 28, Issue 2) together with Frédéric Voisin on analytical vs. schizophrenic procedures for computing music. Amongst other things, the paper analyzes our work for Last Manoeuvres in the Dark. You

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On Analytical vs. Schizophrenic Procedures for Computing Music

I published a paper in the journal Contemporary Music Review (Volume 28, Issue 2) together with Frédéric Voisin on analytical vs. schizophrenic procedures for computing music. Amongst other things, the paper analyzes our work for Last Manoeuvres in the Dark. You

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Problèmes philosophiques et esthétiques soulevés par les prothèses neurosensorielles

Marcin Sobieszczanski published an article on philosophical and esthetical issues regarding neurophysiological prothesis. The article was published in the canadian review l’Archée. In the second part of his article Sobieszczanski illustrates the ideas of his article with two of my

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Problèmes philosophiques et esthétiques soulevés par les prothèses neurosensorielles

Marcin Sobieszczanski published an article on philosophical and esthetical issues regarding neurophysiological prothesis. The article was published in the canadian review l’Archée. In the second part of his article Sobieszczanski illustrates the ideas of his article with two of my

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l’Astre Echevelé

Tonight Gérard Buquet’s piece l’Astre Echevelé for which I designed the electronics, is being premiered at l’Espace de Projection, Ircam Centre Pompidou, Paris. Saxophone: Marcus Weiss, Sound Engineer: David Poissonnier IRCAM, November 6, 20h

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l’Astre Echevelé

Tonight Gérard Buquet’s piece l’Astre Echevelé for which I designed the electronics, is being premiered at l’Espace de Projection, Ircam Centre Pompidou, Paris. Saxophone: Marcus Weiss, Sound Engineer: David Poissonnier IRCAM, November 6, 20h

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Publication dans Archée

Archée, magazine pour le “cyberart et la cyberculture artistique” publie un article tiré de mon présentation au MAMAC de Nice. Fish, installation pour poissons vivants et ordinateur : l’interaction et l’apprentissage entre le vivant et l’artificiel L’artiste Robin Meier présente

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Publication dans Archée

Archée, magazine pour le “cyberart et la cyberculture artistique” publie un article tiré de mon présentation au MAMAC de Nice. Fish, installation pour poissons vivants et ordinateur : l’interaction et l’apprentissage entre le vivant et l’artificiel L’artiste Robin Meier présente

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Festival Musica, Strasbourg

Ensemble Intercontemporain / Accentus  – Axe 21 perform at Cité de la musique et de la danse in Strasbourg. Conductor: Susanna Mälkki, Doublebass Clarinette: Alain Billard, Speaker: Fosco Perinti, Computer Music Design: Robin Meier, Sound Engineer: David Poissonnier Texts by Edoardo Sanguineti DAI FUJIKURA: secret forest (2008)

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Festival Musica, Strasbourg

Ensemble Intercontemporain / Accentus  – Axe 21 perform at Cité de la musique et de la danse in Strasbourg. Conductor: Susanna Mälkki, Doublebass Clarinette: Alain Billard, Speaker: Fosco Perinti, Computer Music Design: Robin Meier, Sound Engineer: David Poissonnier Texts by Edoardo Sanguineti DAI FUJIKURA: secret forest (2008)

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“For Alan Turing” in NYC

Trajal Harrell’s dance piece “Twenty Looks or Paris is Burning at the Judson Church (S)” is being performed at the New Museum in New York today and tomorrow. Harrell’s five dances are set to the music of my composition for

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“For Alan Turing” in NYC

Trajal Harrell’s dance piece “Twenty Looks or Paris is Burning at the Judson Church (S)” is being performed at the New Museum in New York today and tomorrow. Harrell’s five dances are set to the music of my composition for

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Lucerne Festival

I spent two weeks at the Lucerne Festival Academy in Switzerland eating Rösti and going on crazy hikes with IRCAM and Ensemble Intercontemporain. During the day I ran two workshops (viola with Odile Auboin and trombone with Benny Sluchin). These

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Lucerne Festival

I spent two weeks at the Lucerne Festival Academy in Switzerland eating Rösti and going on crazy hikes with IRCAM and Ensemble Intercontemporain. During the day I ran two workshops (viola with Odile Auboin and trombone with Benny Sluchin). These

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SIGGRAPH 2009 Yokohama

“Truce – Strategies for Post-Apocalyptic Computation” got accepted for the SIGGRAPH Art Gallery in Yokohama: December 16 – 19. See you in Japan…   Some of the most impressive breakthroughs in art and technology happen by considering the gaps and

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SIGGRAPH 2009 Yokohama

“Truce – Strategies for Post-Apocalyptic Computation” got accepted for the SIGGRAPH Art Gallery in Yokohama: December 16 – 19. See you in Japan…   Some of the most impressive breakthroughs in art and technology happen by considering the gaps and

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Concert in Helsinki

Spent six days in Finland with IRCAM and Ensemble Intercontemporain preparing a concert at Finlandia Hall and going to sea in a rowingboat with an old friend. We performed pieces by Robin, Francesconi and Boulez under the direction of Susanna

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Concert in Helsinki

Spent six days in Finland with IRCAM and Ensemble Intercontemporain preparing a concert at Finlandia Hall and going to sea in a rowingboat with an old friend. We performed pieces by Robin, Francesconi and Boulez under the direction of Susanna

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Honorary Mention for Truce at Ars Electronica

Truce: Strategies for Post-Apocalyptic Computation just won a honorary mention in the electronic music (!) category at the Ars Electronica Festival in Linz. Now, let’s bring out these cocktails! Experiments in Mosquito / Machine Communication: Truce from khs frst on

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Honorary Mention for Truce at Ars Electronica

Truce: Strategies for Post-Apocalyptic Computation just won a honorary mention in the electronic music (!) category at the Ars Electronica Festival in Linz. Now, let’s bring out these cocktails! Experiments in Mosquito / Machine Communication: Truce from khs frst on

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Prisma Mexico

I had the privilege to present my work and talk about art, biology, science and whatever just came up at the Prisma Forum in Oaxaca and later in Mexico City bringing together 300 artists from 40 countries. It was a

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Prisma Mexico

I had the privilege to present my work and talk about art, biology, science and whatever just came up at the Prisma Forum in Oaxaca and later in Mexico City bringing together 300 artists from 40 countries. It was a

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Trois Manifestes

Premiere at Cité de la Musique of Trois Manifestes by Luis Fernando Rizo-Salom for ensemble (Ensemble Intercontemporain under the direction of Susanna Mälkki) and live electronics (Robin Meier) Work commissioned by IRCAM-Centre Pompidou and Radio France for the 2009 Agora

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Trois Manifestes

Premiere at Cité de la Musique of Trois Manifestes by Luis Fernando Rizo-Salom for ensemble (Ensemble Intercontemporain under the direction of Susanna Mälkki) and live electronics (Robin Meier) Work commissioned by IRCAM-Centre Pompidou and Radio France for the 2009 Agora

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Truce: Strategies for Post-Apocalyptic Computation (2009)

BBC News Interactive Installation in Collaboration with Ali Momeni Honorary mention at Ars Electronica 2009 Exhibition at SIGGRAPH Art Gallery, Yokohama 2009 Exhibition at Palais de Tokyo, Paris 2010 Exhibition at Musée des Beaux Arts, Nantes 2012 BBC News from

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Truce: Strategies for Post-Apocalyptic Computation (2009)

BBC News Interactive Installation in Collaboration with Ali Momeni Honorary mention at Ars Electronica 2009 Exhibition at SIGGRAPH Art Gallery, Yokohama 2009 Exhibition at Palais de Tokyo, Paris 2010 Exhibition at Musée des Beaux Arts, Nantes 2012 BBC News from

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Les Temps Tiraillés

Today is the premiere of Les Temps Tiraillés by Myriam Gourfink and Georg Friedrich Haas at Centre Pompidou for which i designed the electronics. This video documents the production periods leading up to the performance. produced by IRCAM Centre Pompidou

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Les Temps Tiraillés

Today is the premiere of Les Temps Tiraillés by Myriam Gourfink and Georg Friedrich Haas at Centre Pompidou for which i designed the electronics. This video documents the production periods leading up to the performance. produced by IRCAM Centre Pompidou

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LMD (2008)

Music for Last Manoeuvres in the Dark ° Last Manoeuvres in the Dark (LMD) is an installation for SUPERDOME (may 29 – august 24 2008) at Palais de Tokyo (Paris) by Fabien Giraud and Raphael Siboni – Music by Robin

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LMD (2008)

Music for Last Manoeuvres in the Dark ° Last Manoeuvres in the Dark (LMD) is an installation for SUPERDOME (may 29 – august 24 2008) at Palais de Tokyo (Paris) by Fabien Giraud and Raphael Siboni – Music by Robin

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Bipperlisi (2008)

“Czechoslovakia”   Bipperlisi is a sound-installation inside a public train connecting Solothurn with Langenthal in Switzerland. For this commission by the Kuratorium Solothurn we synchronized music specially composed for this occasion to the scenery rushing past outside the windows of

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Bipperlisi (2008)

“Czechoslovakia”   Bipperlisi is a sound-installation inside a public train connecting Solothurn with Langenthal in Switzerland. For this commission by the Kuratorium Solothurn we synchronized music specially composed for this occasion to the scenery rushing past outside the windows of

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Presentation of Experiments in Fish / Machine Communication (2007)

A video of a conference I held at the Musée d’Art Moderne et d’Art Contemporain MAMAC in Nice, February 2008: link to video Les compositions et installations de Robin Meier, artiste, sont influencées par son intérêt pour l’intelligence artificielle et

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Presentation of Experiments in Fish / Machine Communication (2007)

A video of a conference I held at the Musée d’Art Moderne et d’Art Contemporain MAMAC in Nice, February 2008: link to video Les compositions et installations de Robin Meier, artiste, sont influencées par son intérêt pour l’intelligence artificielle et

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Océan

Océan is a piece for Soprano, grand ensemble and live electronics by Philipp Maintz. It’s being premiered at Centre Pompidou by Marisol Montalvo: soprano Robin Meier: electronics and Ensemble Intercontemporain under the direction of Beat Furrer on January 12 2008.

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Océan

Océan is a piece for Soprano, grand ensemble and live electronics by Philipp Maintz. It’s being premiered at Centre Pompidou by Marisol Montalvo: soprano Robin Meier: electronics and Ensemble Intercontemporain under the direction of Beat Furrer on January 12 2008.

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Max Crash Demon

Here’s a little application I wrote for a permanent installation. This python script will run a ps command every minute to check if max is still running. If max isn’t running, the script will restart max. go to /Applications/Utilities/Console.app to

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Max Crash Demon

Here’s a little application I wrote for a permanent installation. This python script will run a ps command every minute to check if max is still running. If max isn’t running, the script will restart max. go to /Applications/Utilities/Console.app to

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Recurrent Oscillatory Self-Organizing Map ROSOM

Period detection and representation by recurrent oscillatory self-organizing map by Mauri Kaipainen and Tommi Ilmonen Abstract: Whether or not periodicity is a property of the environment, for a cognitive system a period is always a dynamical mental construct. This study

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Recurrent Oscillatory Self-Organizing Map ROSOM

Period detection and representation by recurrent oscillatory self-organizing map by Mauri Kaipainen and Tommi Ilmonen Abstract: Whether or not periodicity is a property of the environment, for a cognitive system a period is always a dynamical mental construct. This study

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Ars Electronica (2005)

Conference on hybridity by Frédéric Voisin and Robin Meier at Ars Electronica 2005.

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Ars Electronica (2005)

Conference on hybridity by Frédéric Voisin and Robin Meier at Ars Electronica 2005.

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intro mémoire EHESS: art et science (2007)

Entre le souci de l’explicité dans les sciences et la part inévitablement implicite de la création dans l’art, l’aspect “exotique”, qui apparaît en croisant les deux, devient moteur. L’étrangeté – la science qui à première vue, semble si différente et

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intro mémoire EHESS: art et science (2007)

Entre le souci de l’explicité dans les sciences et la part inévitablement implicite de la création dans l’art, l’aspect “exotique”, qui apparaît en croisant les deux, devient moteur. L’étrangeté – la science qui à première vue, semble si différente et

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Self-organizing Map XMLRPC-Server

# This program requires Python 2.3 or above # robin meier 17-02-06 paris http://robin.meier.free.fr http://www.neuromuse.org # # provides the methods necessary to run a SOM on a distant server using xmlrpc   from DocXMLRPCServer import DocXMLRPCServer, DocXMLRPCRequestHandler from SocketServer import

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Self-organizing Map XMLRPC-Server

# This program requires Python 2.3 or above # robin meier 17-02-06 paris http://robin.meier.free.fr http://www.neuromuse.org # # provides the methods necessary to run a SOM on a distant server using xmlrpc   from DocXMLRPCServer import DocXMLRPCServer, DocXMLRPCRequestHandler from SocketServer import

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Mémoire jit.robosom (2004)

DOWNLOAD Mémoire (pdf) DOWNLOAD jit.robosom (zip) Ce mémoire à pour objet de compléter et de documenter le travail que j’ai réalisé dans la recherche et le développement de jit.robosom. jit.robosom est une abstraction pour MaxMSPJitter qui implémente un réseau de

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Mémoire jit.robosom (2004)

DOWNLOAD Mémoire (pdf) DOWNLOAD jit.robosom (zip) Ce mémoire à pour objet de compléter et de documenter le travail que j’ai réalisé dans la recherche et le développement de jit.robosom. jit.robosom est une abstraction pour MaxMSPJitter qui implémente un réseau de

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TwelveOscils

got the idea for this model of fireflies flashing in sync reading Steven Strogatz’s book “Sync” Download the MaxMSP patch

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TwelveOscils

got the idea for this model of fireflies flashing in sync reading Steven Strogatz’s book “Sync” Download the MaxMSP patch

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jit.robosom

Self-organizing map abstraction for MaxMSP Jitter. DOWNLOAD

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jit.robosom

Self-organizing map abstraction for MaxMSP Jitter. DOWNLOAD

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Playing Integrated Music Knowledge With Artificial Neural Network (2004)

Article published 2004 in the Sound and Music Computing (SMC) Proceedings. Authors: Frédéric Voisin and Robin Meier This text presents some aspects of the Neuromuse project developed at CIRM. We will present some experiences in using self-organizing maps (SOM) to

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Playing Integrated Music Knowledge With Artificial Neural Network (2004)

Article published 2004 in the Sound and Music Computing (SMC) Proceedings. Authors: Frédéric Voisin and Robin Meier This text presents some aspects of the Neuromuse project developed at CIRM. We will present some experiences in using self-organizing maps (SOM) to

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For Alan Turing (2004)

Pièce pour deux réseaux de neurones. Composé en juin 2004 à Nice see here for a publication on “For Alan Turing”. “For Alan Turing” met en jeu un réseau de neurones artificiels, une simulation informatique de l’activité neurologique du cerveau.

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For Alan Turing (2004)

Pièce pour deux réseaux de neurones. Composé en juin 2004 à Nice see here for a publication on “For Alan Turing”. “For Alan Turing” met en jeu un réseau de neurones artificiels, une simulation informatique de l’activité neurologique du cerveau.

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Self-organizing Map SOM in Python

## Self-Organizing Map (SOM) ## ## http://robin.meier.free.fr ## http://www.neuromuse.org ## paris 13eme, february 06 ##   """self organizing-map a la kohonen. to interact, send and receive data via udp"""   import sys #psyco for intel procs only… #from psyco import

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Self-organizing Map SOM in Python

## Self-Organizing Map (SOM) ## ## http://robin.meier.free.fr ## http://www.neuromuse.org ## paris 13eme, february 06 ##   """self organizing-map a la kohonen. to interact, send and receive data via udp"""   import sys #psyco for intel procs only… #from psyco import

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Caresses de Marquises (Nuit Blanche 2004)

Installation / Concert de Robin Meier et Frédéric Voisin Nuit Blanche Octobre 2004, Gare de l’Est, Paris Direction Artistique : Nicolas Frize Production : Marie de Paris, SNCF, SACEM, Art Public Contemporain, CIRM extraits sonores enregistrés lors des répétitions: quatuor2270904

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Caresses de Marquises (Nuit Blanche 2004)

Installation / Concert de Robin Meier et Frédéric Voisin Nuit Blanche Octobre 2004, Gare de l’Est, Paris Direction Artistique : Nicolas Frize Production : Marie de Paris, SNCF, SACEM, Art Public Contemporain, CIRM extraits sonores enregistrés lors des répétitions: quatuor2270904

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Remember Me? (2007)

Audiovisual Installation with Noël Dernesch at Artrepco Gallery in Zurich. Music generated by an algorithm inspired by synchronizing fireflies. Remember me? oscillates between illusion and truth, projection and reality. It raises questions about identity, about our “vision” and our history.

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Remember Me? (2007)

Audiovisual Installation with Noël Dernesch at Artrepco Gallery in Zurich. Music generated by an algorithm inspired by synchronizing fireflies. Remember me? oscillates between illusion and truth, projection and reality. It raises questions about identity, about our “vision” and our history.

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Fireflies sync

two beautiful videos sent to me by mariko montpetit showing a population of fireflies synchronizing through a mechanism of self-organization

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Fireflies sync

two beautiful videos sent to me by mariko montpetit showing a population of fireflies synchronizing through a mechanism of self-organization

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Taxidermy (2006)

Performance with Olivier Pasquet at Forum Neues Musiktheater, Staatsoper Stuttgart. Thanks to Andreas Breitscheid

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Taxidermy (2006)

Performance with Olivier Pasquet at Forum Neues Musiktheater, Staatsoper Stuttgart. Thanks to Andreas Breitscheid

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