Active Matter Expedition

Active Matter, Eciton Ants on a soot covered surface in a cloud of smoke
Eciton burchellii ant bivouac, Gunma reserve 2017
Human bivouac, Gunma reserve 2017
Eciton burchellii ant trails on soot covered glass, Gunma reserve 2017
Eciton ‘army’ ant traces in soot on glass fixed with resin. Digital scan C-print on Hanemühle cotton paper (150x110cm), 2019
Transporting glass plates in the rain forest, Gunma reserve 2017
Eciton ‘army’ ant traces in soot on glass fixed with resin - gelatin silver print details, 2019
Drawing a circle with pheromones, Gunma reserve 2017
Traces of Eciton ‘army’ ants on glass. Brazil, 2017
Dinoponera ants with wireless tracking tags at LEEC Université de Paris 13, 2011
Atta ‘leafcutter’ ants on a glass maze, LEEC Université de Paris 13, 2011
  • Active Matter, Eciton Ants on a soot covered surface in a cloud of smoke
  • Eciton burchellii ant bivouac, Gunma reserve 2017
  • Human bivouac, Gunma reserve 2017
  • Eciton burchellii ant trails on soot covered glass, Gunma reserve 2017
  • Eciton ‘army’ ant traces in soot on glass fixed with resin. Digital scan C-print on Hanemühle cotton paper (150x110cm), 2019
  • Transporting glass plates in the rain forest, Gunma reserve 2017
  • Eciton ‘army’ ant traces in soot on glass fixed with resin - gelatin silver print details, 2019
  • Drawing a circle with pheromones, Gunma reserve 2017
  • Traces of Eciton ‘army’ ants on glass. Brazil, 2017
  • Dinoponera ants with wireless tracking tags at LEEC Université de Paris 13, 2011
  • Atta ‘leafcutter’ ants on a glass maze, LEEC Université de Paris 13, 2011

During an expedition to the Brazilian rainforest with a team of scientists and a cameraman, we set out to interact with large groups of Eciton ‘Army’ ants.

Studying their trails we tried to understand their collective behaviour and chemical pheromone signals.

Using resins developed with the help of an art conservationist in Sao Paulo and a technique developed by two entomologists in the UK we recorded the traces of this collective manipulation onto soot covered glass sheets, which were then developed as prints using various techniques (photochemical, cyanotype, aquafortis, etc.).

This research is part of an ongoing artistic project on collective behaviour that probably started around 2011 with Tragedy of the Commons.

So far, these new glass sheets, prints, video and sound recordings are yet to be exhibited. Since the trip to Brazil, I’ve worked with various entomology labs in Lausanne, Paris, Konstanz and Sao Paulo to study and manipulate the collective behaviour of ants, robots, nanoparticles, birds and other organisms.